Johnny Camille
Sean Bono..
Dishaun Milton
John Milton… 1608-1674
Code- (P.O.H…P.G.D / H.O.P..E….D.G P)
J.M… 10 13… 23…
Code T.N.S….Traishon N Sumler…Age 23..
Truth Nature Sum…L…E.R… (Sum of L-12…Emeka Robert…
R+E= 23.. W.. V.V…V.V….V….22 22..44…8..16…H..P…
Harmony Plan-E.T.
Harmony Infinity Planet…
H.I.P…
Hip Hip Hooray…
23…5.. E
Emeka Traishon… E.T…
Robert “Famous Bright Shinning of Light Clarity.. Extra Terrestrial…
Eternal Truth…
5th Dimension…
5 -20…52..25…100…..1OO…. E.B…Y… A.O.O…
Y.A. H.O.O. H…
7 7 1OO… 7 7 1… G..G.A
871 Face Book Friend… H…G.A
G..E.G.A…L.A.XY…1O11…1 11.. 56= 11 1
H.E.G.A…LA XY…
771… 881..
100 was Added 5X 20…
Rob Barr 100 usd… 1Usd “# F.D..R.Music cinq Fifth Dimension Robert Music…
May 20th… Date of Birth of my youngest brother Boom Boom Mike “Obumneme”
E.T…
J…M.E…
John Milton Emeka…T..Taishon Truth…
J.M.E.T….
Traishon N. Sum-L.E.R… True Nature Shinning… Truth.
J..M.E.T…G…H…
J “PUT” God as Harmony…
Called True Nature Shinning Of Light… T.N.S…20- 14 (14th Emeka Robert G G.. 77) 19….
20+14+19….53…
E.C..’
Elizabeth Clarizio…
Eros Cupid….
D.M..
Max Tunee…. 871 Face Book Friend…
D.M.T…
The Drug…
D.M..T.H..E….B
Delta Manor Traishon Bed 4019….59. E.I…14…N…5..E..
E.I.N.E…
Example of Natural Expression…
Traishon N.Sumler…
Today is 19th… S…
Emeka Traishon Sum L.E.R….
E.T..S… A.O….
Emeka “E.R..I.C” Traishon Steven Alexander OHM..
Eternal Truth Shinning (Supreme) Alpha Omega..
Paradise was Never Lost…
It had to be Found….
So begins my 2004 Creations True Story, of the Family of Ten…
And the 1 and O.. Orb… B.R.O.. THERS…. Written in 2004…
The Two…
10…2… J.B… 12…and their 3… C..
Johnny Camille… J.C…
Before I explain the codes I have just programmed…
And what happened today with Traishon and what flowed through him…
Which basically made me wish to jump out the window..
(How much can a man take while still sitting in a Shelter?)
From Wikipedia…
A Riddle…
Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton (16081674). The first version, published in 1667, consisted of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil’s Aeneid) with minor revisions throughout and a note on the versification.
The poem concerns the Biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton’s purpose, stated in Book I, is to “justify the ways of God to men”.[6]
Composition[edit]
Gustave Doré, The Heavenly Hosts, c. 1866, illustration to Paradise Lost.
In his introduction to the Penguin edition of Paradise Lost, the Milton scholar John Leonard notes, “John Milton was nearly sixty when he published Paradise Lost in 1667. [The writer] John Aubrey (162697) tells us that the poem was begun in about 1658 and finished in about 1663. But parts were almost certainly written earlier, and its roots lie in Milton’s earliest youth.”[7] Leonard speculates that the English Civil War interrupted Milton’s earliest attempts to start his “epic [poem] that would encompass all space and time.”[7]
Leonard also notes that Milton “did not at first plan to write a biblical epic.”[7] Since epics were typically written about heroic kings and queens (and with pagan gods), Milton originally envisioned his epic to be based on a legendary Saxon or British king like the legend of King Arthur.[8][9]In the 1667 version of Paradise Lost, the poem was divided into ten books. However, in the 1672 edition, Paradise Lost contained twelve books.[10]
Having gone totally blind in 1652, Milton wrote Paradise Lost entirely through dictation with the help of amanuenses and friends. He also wrote the epic poem while he was often ill, suffering from gout, and despite the fact that he was suffering emotionally after the early death of his second wife, Katherine Woodcock, in 1658, and the death of their infant daughter (though Milton remarried soon after in 1663).[11]
Synopsis[edit]
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John Martin, Satan Presiding at the Infernal Council, c.1823-1827.
Gustave Doré, Depiction of Satan, the central character of John Milton’s Paradise Lost c. 1866.
The poem is separated into twelve “books” or sections, the lengths of which vary greatly (the longest is Book IX, with 1,189 lines, and the shortest Book VII, with 640). The Arguments at the head of each book were added in subsequent imprints of the first edition. Originally published in ten books, a fully “Revised and Augmented” edition reorganized into twelve books was issued in 1674, and this is the edition generally used today.[12]
The poem follows the epic tradition of starting in medias res (Latin for in the midst of things), the background story being recounted later.
Milton’s story has two narrative arcs, one about Satan (Lucifer) and the other following Adam and Eve. It begins after Satan and the other rebel angels have been defeated and banished to Hell, or, as it is also called in the poem, Tartarus. In Pandæmonium, Satan employs his rhetorical skill to organise his followers; he is aided by Mammon and Beelzebub. Belial and Moloch are also present. At the end of the debate, Satan volunteers to poison the newly created Earth and God’s new and most favoured creation, Mankind. He braves the dangers of the Abyss alone in a manner reminiscent of Odysseus or Aeneas. After an arduous traversal of the Chaos outside Hell, he enters God’s new material World, and later the Garden of Eden.
At several points in the poem, an Angelic War over Heaven is recounted from different perspectives. Satan’s rebellion follows the epic convention of large-scale warfare. The battles between the faithful angels and Satan’s forces take place over three days. At the final battle, the Son of God single-handedly defeats the entire legion of angelic rebels and banishes them from Heaven. Following this purge, God creates the World, culminating in his creation of Adam and Eve. While God gave Adam and Eve total freedom and power to rule over all creation, he gave them one explicit command: not to eat from the tree of the knowledge of good and evil on penalty of death.
The story of Adam and Eve’s temptation and fall is a fundamentally different, new kind of epic: a domestic one. Adam and Eve are presented as having a full relationship while still being without sin. They have passions and distinct personalities. Satan, disguised in the form of a serpent, successfully tempts Eve to eat from the Tree by preying on her vanity and tricking her with rhetoric. Adam, learning that Eve has sinned, knowingly commits the same sin. He declares to Eve that since she was made from his flesh, they are bound to one another ? if she dies, he must also die. In this manner, Milton portrays Adam as a heroic figure, but also as a greater sinner than Eve, as he is aware that what he is doing is wrong.
After eating the fruit, Adam and Eve have lustful sex. At first, Adam is convinced that Eve was right in thinking that eating the fruit would be beneficial. However, they soon fall asleep and have terrible nightmares, and after they awake, they experience guilt and shame for the first time. Realizing that they have committed a terrible act against God, they engage in mutual recrimination.
Meanwhile, Satan returns triumphantly to Hell, amidst the praise of his fellow fallen angels. He tells them about how their scheme worked and human kind has fallen, giving them complete dominion over Paradise. As he finishes his speech, however, the fallen angels around him become hideous snakes, and soon enough, Satan himself turned into a snake, deprived of limbs and unable to talk. Thus, they share the same punishment, as they shared the same guilt.
Eve appeals to Adam for reconciliation of their actions. Her encouragement enables them to approach God, and sue for grace, bowing on suppliant knee, to receive forgiveness. In a vision shown to him by the angel Michael, Adam witnesses everything that will happen to mankind until the Great Flood. Adam is very upset by this vision of the future, so Michael also tells him about humankind’s potential redemption from original sin through Jesus Christ (whom Michael calls “King Messiah”).
Adam and Eve are cast out of Eden, and Michael says that Adam may find “a paradise within thee, happier far”. Adam and Eve also now have a more distant relationship with God, who is omnipresent but invisible (unlike the tangible Father in the Garden of Eden).
Characters[edit]
Satan[edit]
Satan is the first major character introduced in the poem. Formerly called Lucifer, he was the most beautiful of all angels in Heaven, and is a tragic figure who describes himself with the now-famous quote “Better to reign in Hell than serve in Heaven.” He is introduced to Hell after he leads a failed rebellion to wrest control of Heaven from God. Satan’s desire to rebel against his creator stems from his unwillingness to be subjugated by God and his Son, claiming that angels are “self-begot, self-raised,”[13] and thereby denying God’s authority over them as their creator.
Satan is deeply arrogant, albeit powerful and charismatic.[citation needed] Satan’s persuasive powers are evident throughout the book; not only is he cunning and deceptive, but he is also able to rally the fallen angels to continue in the rebellion after their agonizing defeat in the Angelic War. He argues that God rules as a tyrant and that all the angels ought to rule as gods.[14] Though commonly understood to be the antagonizing force in Paradise Lost, Satan may be best defined as a tragic or Hellenic hero. According to William McCollom, one quality of the classical tragic hero is that he is not perfectly good and that his defeat is caused by a tragic flaw, as Satan causes both the downfall of man and the eternal damnation of his fellow fallen angels despite his dedication to his comrades. In addition, Satans Hellenic qualities, such as his immense courage and perhaps, lack of completely defined morals, compound his tragic nature.[15]
Satan’s status as a protagonist in the epic poem is debated. Milton characterizes him as such, but Satan lacks several key traits that would otherwise make him the definitive protagonist in the work. One deciding factor that insinuates his role as the protagonist in the story is that most often a protagonist is heavily characterized and far better described than the other characters, and the way the character is written is meant to make him seem more interesting or special to the reader [16] For that matter, Satan is both well described and is depicted as being quite versatile in that he is shown as having the capacity to do evil whilst retaining his characteristic sympathetic qualities and thus it is this complex and relatable nature makes him a likely candidate for the storys overarching protagonist.[16]
According to Ibrahim Taha’s definition of a protagonist the protagonist must be able to exist in and of himself or herself and that the secondary characters in the work exist only to further the plot for the protagonist.[17] Because Satan does not exist solely for himself, as without God he would not have a role to play in the story, he may not be viewed as protagonist because of the continual shifts in perspective and relative importance of characters in each book of the work. Satans existence in the story involves his rebellion against God and his determination to corrupt the beings he creates in order to create evil so that there can be a discernable balance and justice for both himself and his fallen angels. Therefore, it is more probable that he exists in order to combat God, making his status as the definitive protagonist of the work relative to each book.
Satan’s status as a traditional hero in the work is similarly up to debate as the term hero evokes different meanings depending on the time and the person giving the definition and is thus a matter of contention within the text. According to Aristotle, a hero is someone who is superhuman, godlike, and divine but is also human.[18] A hero would have to either be a human with God-like powers or the offspring of God. While Milton gives reason to believe that Satan is superhuman, as he was originally an angel, he is anything but human. Therefore, according to Aristotles definition of a hero alone, Satan is not a hero. Torquato Tasso and Francesco Piccolomini expanded on Aristotles definition and declared that for someone to be considered heroic one has to be perfectly or overly virtuous.[19] Satan repeatedly demonstrates a lack of virtue throughout the story as he intends to tempt Gods creations with evil in order to destroy the good God is trying to create. Satan goes against Gods law and therefore becomes corrupt and lacking of virtue and, as Piccolimini warned, vice may be mistaken for heroic virtue.[18] Satan is very devoted to his cause, although that cause is evil but he strives to spin his sinister aspirations to appear as good ones. Satan achieves this end multiple times throughout the text as he riles up his band of fallen angels during his speech by deliberately telling them to do evil to explain Gods hypocrisy and again during his entreaty to Eve. He makes his intentions seem pure and positive even when they are rooted in evil and according to Steadman, this is the chief reason that readers often mistake Satan as a hero.[19]
Although Satan’s army inevitably loses the war against God, Satan achieves a position of power and begins his reign in Hell with his band of loyal followers, composed of fallen angels, which is described to be a “third of heaven”. Satan’s characterization as the leader of a failing cause folds into this as well and is best exemplified through his own quote, “to be weak is to be miserable; Doing or Suffering”, as through shared solidarity espoused by empowering rhetoric, Satan riles up his comrades in arms and keeps them focused towards their shared goal.[20] Similar to Miltons republican sentiments of overthrowing the King of England for both better representation and parliamentary power, Satan argues that his shared rebellion with the fallen angels is an effort to explain the hypocrisy of God, and in doing so, they will be treated with the respect and acknowledgement that they deserve. As scholar Wayne Rebhorn argues, Satan insists that he and his fellow revolutionaries held their places by right and even leading him to claim that they were self-created and self-sustained and thus Satans position in the rebellion is much like that of his own real world creator.[21]
Adam[edit]
Adam is the first human created by God. Though initially alone, Adam demands a mate from God. Considered God’s prized creation, Adam, along with his wife, rules over all the creatures of the world and resides in the Garden of Eden. He is more gregarious than Eve, and yearns for her company. His complete infatuation with Eve, while pure in and of itself, eventually contributes to his joining her in disobedience to God.
Unlike the Biblical Adam, before he leaves Paradise this version of Adam is given a glimpse of the future of mankind (including a synopsis of stories from the Old and New Testaments) by the Archangel Michael.
William Blake, The Temptation and Fall of Eve, 1808 (illustration of Milton’s Paradise Lost).
Eve[edit]
Eve is the second human created by God, taken from one of Adam’s ribs and shaped into a female form of Adam. Far from the traditional model of a good wife, she is often unwilling to be submissive towards Adam. She is more intelligent and curious about external ideas than her husband. Though happy, she longs for knowledge and, more specifically, self-knowledge. Her first act in existence is to turn away from Adam and look at and ponder her own reflection. Eve is extremely beautiful and thoroughly in love with Adam, though may feel suffocated by his constant presence. One day, she convinces Adam that it would be good for them to split up and work different parts of the Garden. In her solitude, she is tempted by Satan to sin against God. Adam shortly follows along with her.
The Son of God[edit]
The Son of God is the spirit who will become incarnate as Jesus Christ, though he is never named explicitly, since he has not yet entered human form. Milton’s God refers to the Son as “My word, my wisdom, and effectual might” (3.170), but Milton believed in a subordinationist doctrine of Christology that regarded the Son as secondary to the Father, His “great Vice-gerent” (5.609). The poem is not explicitly anti-trinitarian, but is consistent with Milton’s convictions. The Son is the ultimate hero of the epic and is infinitely powerful, single-handedly defeating Satan and his followers and driving them into Hell. The Son of God tells Adam and Eve about God’s judgment after their sin. He sacrificially volunteers to journey to the World, become a man himself, and redeem the Fall of Man through his own death and resurrection. In the final scene, a vision of Salvation through the Son of God is revealed to Adam by Michael. Still, the name, Jesus of Nazareth, and the details of Jesus’ story are not depicted in the poem.[22]
God the Father[edit]
God the Father is the creator of Heaven, Hell, the world, and of everyone and everything there is, through the agency of His Son. He desires glory and praise from all his creations. He is an all-powerful, all-knowing, infinitely good being who cannot be overthrown by even the great army of angels Satan incites against him. The stated purpose of the poem is to justify the ways of God to men, so God often converses with the Son of God concerning his plans and reveals his motives regarding his actions. The poem portrays God’s process of creation in the way that Milton believed it was done, with God creating Heaven, Earth, Hell, and all the creatures that inhabit these separate planes from part of Himself, not out of nothing.[23] Thus, according to Milton, the ultimate authority of God derives from his being the “author” of creation. Satan tries to justify his rebellion by denying this aspect of God and claiming self-creation, but he admits to himself this is not the case, and that God “deserved no such return/ From me, whom He created what I was.”[24][25]
Raphael[edit]
Raphael is an archangel whom God sends to warn Adam about Satan’s infiltration of Eden and to warn him that Satan is going to try to curse Adam and Eve. He also has a lengthy discussion with the curious Adam regarding creation and events which transpired in Heaven.
Michael[edit]
Michael is a mighty archangel who fought for God in the Angelic War. In the first battle, he wounds Satan terribly with a powerful sword that God designed to even cut through the substance of angels. After Adam and Eve disobey God by eating from the Tree of Knowledge, God sends the angel Michael to visit Adam and Eve. His duty is to escort Adam and Eve out of Paradise. Before he does this, Michael shows Adam visions of the future which cover an outline of the Bible, from the story of Cain and Abel in Genesis, up through the story of Jesus Christ in the New Testament.”
John of Revelation…
John Milton….
John means “Grace of The Creator God- Harmony Music Energy…Water…Flows…”
Grace Milton… Mill Town.. M.T…
The Weaver O.H… T.W.O… T.VV.O…Harmonies…
88 Merged to created 16…P…
Planet Orb….
1+6…A.Fact…
16= 1+6+9…
A.F.I..
A Fact I…
A Fact Infinity…
Mill Weaver.. M.W…Milky Way..
Fashion Design… # F.D..R M U.S..I.C…Cinq.. Fifth Dimenson..
100 USD given to me by Rob Barr had the number 500 on it…D
And or 5000… V…
And the 1 USD
List of the Cast of O.G.M in John Milton;s
Paradise Lost..
P.L.
P..LA..C.E…
H.I..E
Contd
4:49 p.m.
D.D.I..
I.D..Delta
4:50 p.m
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