Tibetan Lamas ??
***One of the possible methods of generating artificial gravity or “antigravity” is by Sound. More specifically, through resonance.
A very intriguing story now comes up in connection with a construction technique of the temples of Tibetan monks.
They can raise enormous blocks of stone through a complicated system of musical instruments arranged around the bloco.
O great teacher who is driving this “concert”, and when certain frequencies arrangement is reached, the block just begins to float, and rise, and when he arrives at the desired height, …
the “concert” stops and the block is positioned. The following is the report published in a German magazine, which describes the whole story in detail:
“We know the masters of the east that they were able to lift heavy blocks of stone and put them at much higher, with the aid of an array of different sounds.
The knowledge of the various vibrations in the audio range demonstrates to a physical that a vibrating and condensed sound field can nullify the effect of gravity.
The Swiss engineer Olaf Alexanderson wrote about this phenomenon in the publication Implosion No. 13.
The following report is based on observations which were made only 20 years ago in Tibet. The author of the report is the civil engineer and aviator Kjelson Henry, a friend of mine. He later on included this report in his book The Lost Techniques (Techniques lost).
This is the story:
A Swiss doctor, Dr. Jarl, a friend of Kjelsons, studied at Oxford. At that time, he made friends with a young Tibetan student. Some years later, in 1939, Dr. Jarl made a journey to Egypt for Inglês Scientific Society.
There he was seen by a messenger of his Tibetan friend, and urgently requested to come to Tibet to treat a high Lama. After Dr. Jarl got the leave he followed the messenger and arrived after a long journey by plane and Yak caravans, (pack animals Tibetans), the monastery, where the old Lama and his friend, who was now in a high position were now living.
Dr. Jarl stayed there for a while, and because of his friendship with the Tibetans he learned a lot of things that other foreigners have no chance to listen to, or watch.
One day his friend took him to a place in the neighborhood of the monastery and showed him a sloping meadow near large hills to the northwest.
On one wall of the hill, with a height of approximately 250 meters was a big hole which looked like the entrance to a cave. In front of this hole there was a platform on which the monks were building a rock wall.
The only access to this platform was from the top of the hill and down the monks with the help of ropes.
About 250 meters below the platform was a large block of polished stone with a bowl-shaped cavity in the center. The bowl had a diameter of one meter and a depth of 15 centimeters.
A block of stone has been manipulated with the aid of Yak and was embedded in the cavity. The block was one meter wide and five feet deep. Then 19 musical instruments were set in an arc of 90 degrees at a distance of 63 meters from the stone slab. The radius of 63 meters was measured out accurately.
The musical instruments consisted of 13 drums and six trumpets. Eight drums were within 1 m and depth of 1 meter and a half. Four drums were medium size, with a radius of 70 cm and depth of 1 meter.
The only small drum had a radius of 20 cm and depth of 30 cm. All trumpets were the same size. They had a length of 12.3 meters and opening of 30 cm.
The big drums and all the trumpets were fixed on mounts which could be adjusted with staffs in the direction of the stone block. The large drums were made of iron sheets 3 mm thick, and had a weight of 150 kg. They were built in 5 sections.
All the drums were open at one end and the other end had a bottom of metal, on which the monks beat with big leather clubs. Behind each instrument was a row of monks. When the stone was in position the monk behind the small drum gave a signal to start the concert.
The small drum had a very sharp sound that could be heard even with the other instruments making a terrible din. The monks were chanting a prayer, slowly increasing the tempo of this unbelievable noise.
During the first four minutes nothing happened, then as the speed of the drumming, and the noise increased, the big stone block started to move, and suddenly it took off with increasing speed toward the platform in front of the hole the cave.
After three minutes of ascent it landed on the platform.
Continuously they brought new blocks to the meadow, and the monks using this method, transported 5 to 6 blocks per hour on a parabolic flight track approximately 500 meters long and 250 meters high.
From time to time a stone split, and the monks moved the stone fallen away. Quite an unbelievable task. Dr. Jarl knew transport these stones. Tibetan experts like Linaver, Spalding and Huc had spoken about it, but they had never seen. So Dr. Jarl was the first foreigner who had the opportunity to see this remarkable spectacle.
He did two films about the experiment because he thought he could be the victim of a psychosis, but the films showed exactly what he was witnessing.
The English Society for which Dr. Jarl was working confiscated the two films and declared them classified.
They will not be available until 1990 (this deadline has long since expired). This attitude is difficult to explain or understand. The fact that the films were immediately confiscated is not too difficult to understand.
It becomes clear that Tibetan monks are fully aware of the laws governing the structure of matter, scientists in the Western world of today are investigating. It is believed that the prayers sung by the monks have no relation with the levitation.
The secret is in the geometric placement of the musical instruments in relation to the stones to be levitated, and the harmonic tuning of the drums and trumpets.
The sound waves being generated by the combination were directed in a way that an anti-gravitational was created in the center of focus, where they were stones, and around the periphery, right one third of the circle in which the stones move.
In some very old books, there was a description of flying machines that fly to provoke a melodious sound, and theorized that there was a sonic propellant that emit sound at frequencies that resonated with the natural frequencies of the machine.
Now the Tibetans have given us a direct indication of how to build a flying machine with anti-gravity propulsion sonic.
All that is required is to complete the circle of sonic generators, indicated by drums and trumpets, and we will have a record that creates a levitation force anti-gravitational center.
Apparently, our scientific knowledge is already facing this kind of research, and certainly many experimental vehicles have been built. High frequency generators probably have taken the places of low frequency, electronic control systems and frequencies would give us control of the direction of motion.
With this type of research being done, I would say that the days of conventional aircraft are numbered. ”
Source: http://www.universodeluz.net
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